Fugitive riddim avec Lady Chann

Je suis tombé sur ce morceau funky de Lady Chann ce soir et je me suis dis que je devais la partager. En faisant ma recherche, j’ai vu que les gars de heatwave l’ont placé au top de leur chart pour le mois d’avril!

Je trvaille avec le morceau en background et il est tout simplement captivant! Pas moyen de ce concentrer!

Sticky feat Lady Chann – Yuh Eye Too Fast (Fugitive Riddim)

Kuduro: 10 essential tracks

As Buraka Som Sistema is rolling into town this thursday, The Montreal Mirror and Erin Macleod asked us to put some music together for their readers in order to present this music called Kuduro. We’ve been posting about kuduro for almost three years here on Masala, and The Month of Kuduro (Feb 2007, 1, 2, 3, 4) is still a good way to discover different aspects of this music. I also wrote an entry a year later that got some interesting answers (here and here).

In the last few months Kuduro exploded in France as the flavor of the day. Several compilations got released by major label and independant label, trying to get some of that money that young french from 2nd or 3rd immigration generation would like to spend on the new music trend. Greg Scruggs of Beat Diaspora has some interesting information and thoughts about the imagery and the marketing of Kuduro on his blog, including an advertisement game with Costuleta as a character.

This is 10 tracks that Jean-Phillipe and myself (Guillaume) think could be essential if you want to discover Kuduro in a pretty large acceptance. Most of these tracks are downloadable at a 320k bitrate but we tried to put links to website where you can actually buy the music. If you’re one of the artist, or a music label who represents these artist, and want this songs to be taken down, we will gladly do it, just email us (emails in the right column).

Costuleta
1. Dança do Tchiriri – DJ Znobia / Costuleta / Magnesio (download)

THE biggest track of the genre. It has been an earworm success all around the planet for almost 3 years now. It’s pretty unclear who created it but apparently it’s DJ Znobia and it got release by Costuleta under his name. Buy here.
LA grosse track du genre. C’est un succès tout autour du globe depuis presque 3 ans déjà. On ne sait pas trop qui la crée mais apparement ce serait Dj Znobia qui l’aurait composé et elle fût ensuite diffusée sous le nom de Costuleta. Achetez-ici

2. Noite e Dia – Tira Makossa (download)

One of the best female MC of Kuduro, this track is also important as it’s been one of the first song to be largely spread around the blogosphere in 2006.
L’une des meilleures MC du Kuduro, cette chanson est aussi importante car elle fût l’une des premières à être largement diffusée dans la blogosphere en 2006.

Puto Prata
3. Puto Prata – Zuata Zuata (download)

Puto Prata is definitely Masala’s favorite kuduro artist. Incredible energy in the flow supported by always great production. Kid is a genius, he was using auto-tune back in 2005!
Puto Prata est clairement l’artiste kuduro préféré de Masala. Il a une incroyable énergie dans son flow qui est toujours soutenu par d’excellentes productions. Le kid est un génie, il utilisait déjà l’autotune en 2005!

Dog Murras
4. Dog Murras – Midexa (download)

One of the biggest music star in Angola and of course he covers a whole range of music, but his voice makes his kuduro tracks automatic bombs!Website.
Dog Murras est l’une des plus grosses stars de la musique en Angola et bien sûr il couvre un large spectre de genres, mais sa voix grave fait que tous ses Kuduros sont des bombes automatiques! Site web.

5. Helder Rei Do Kuduro – Festa de Paz (download)

Helder is a pop star. He’s very famous in Portugal, not appreciated by everyone but this kuduro track is a classic.
Helder est une pop star. Il est très connu au Portugal, mais n’est pas apprécié par tous le monde, mais cette track est un classique.

6. Buraka Som Sistema – Yah!
I’m not posting that song as the label(or maybe the management, or maybe the band?) seems to ask blogger to take down every single post with BSS original material. And Blogger/google doesn’t ask you nicely to remove one file, it just erases the whole post. Some writers are leaving google because of that. You can find the song here though. Here’s the video:
Je ne post pas cette chanson car le label (ou peut-être le management, ou peut-être le groupe?) semble demander à blogger de supprimer tous les post avec du matériel original de BSS. Et Blogger/google ne vous demande pas gentiment de retirer un morceau, non ils effacent le post au complet. Il y a d’ailleurs des bloggers qui s’en vont du service google à cause de cela. Vous pouvez tout de même trouver la chanson ici. Voici la video:

This track put Buraka Som Sistema on the map. It sets the tone of their personal and more western audience friendly approach of Kuduro with a tempo at 130 beat per minute(house’s standard) against Kuduro’s usual 140bpm. Go check out Sinden’s remix as well with big bassline. Buy here.
Cette chanson a mis Buraka Som Sistema sur la carte. Elle donne le ton de leur approche du Kuduro, plus personnelle et accessible aux oreilles occidentales, avec un tempo à 130 battements par minute (standard house) à la différence des 140 bpm habituellement utilisés dans le Kuduro. Allez écouter le remix de Sinden avec l’ajout d’une grosse ligne de basse. Achetez ici.

7. Frederic Galliano ft Pai Diesel – Até Quando (download)

France’s Galliano is the other very important figure in terms of popularization of Kuduro outside the portuguese speaking world. His Kuduro Sound System is the first Kuduro cd to be easily accessible to westerners. Buy here. Kuduro Sound System’s myspace.
Le français Frédéric Galliano est l’autre figure importante quant à la popularisation du Kuduro en dehors du monde lusophone. Son album Kuduro Sound System fût le premier cd kuduro facilement accessible à l’achat pour les occidentaux.Achetez-ici. Myspace de Kuduro Sound System.

8. Izé – Tronku Di Mundo (download)

The Cap Verdien community has been making their own version of Kuduro bringing it closer to their carnaval music called Funana. It’s been mainly done in Paris, France, and it’s a very interesting appropriation process where this two lusophone communities now debate about what the real thing is. Buy here. Izé’s myspace
La communauté Cap Verdienne a crée sa propre version du Kuduro en la rapprochant de sa musique de carnaval appellée Funana. Cela a été principalement fait à Paris et c’est un processus très intéressant d’appropriation qui a mené à une situation ou des membres des deux communautés débatent sur ce qui est vrai ou pas. Achetez-ici. Myspace de Izé

9. Familia Agre – Sai De Caminho (download)

This a pretty special track Guillaume got off of a kuduro compilation bought in France called Vozes Do Musseque. It bridges kuduro with more traditional chants. Buy here.
Ceci est une chanson particulière que Guillaume à trouver sur une compilation achetée en France qui s’appelle Vozes Do Musseque. Elle fait le pont entre Kuduro et chants plus traditionnels. Achetez ici.

10. Denon Squad – Oba (download)

Very fast and violent kuduro ! Based in Lisbon, Os Denon Squad is the the first band of Engrácia Silva (Pongo Love), featured on Buraka’s “Wegue Wegue” as you can read here. Check her myspace.
Du Kuduro très violent et rapide! Basé à Lisbonne, Os Denon Squad est le premier groupe de Engrácia Silva (Pongo Love), qui a participé à la chanson “Wegue Wegue” de Buraka Som Sistema comme vous pouvez le lire ici. Visitez son myspace.

Post fait avec amour par Jean-Philippe/Le Jeune Premier et Guillaume/Khiasma :

Allison Hinds en concert à Montréal demain

Le festival FESTIRAAM a concocté une excellente affiche pour sa soirée musique urbaine demain soir. La rein de la soca, j’ai nomé Alison Hinds, sera la tête d’affiche samedi au Métropolis. C’est un événement à ne pas manquer pour tous les amateurs car cela reste assez rare. Visitez le site du metropolis.

Download Direct

Avec elle il y aura aussi Espoir 200 de Cote d’ivoire:

Profilage racial policier en Angleterre autour de la musique urbaine?

D’abord l’un des gros hit du UK Funky:

Attacca Pesanete : Make It Funky (Zshare)

Et ensuite cette note que je viens de trouver sur le blog d’un journaliste UK:

The Black music scene in the UK, or as some people would like to label it ‘urban’, has come up against many battles in its effort to become credible, from underground acts getting signed then dropped as soon as they don’t gain a 10 hit, to club nights getting closed down due to the genre of the music getting played. The Metropolitan Police have recently set up a new system whereby all live music events that contain Bashment, Garage or R&B (and everything in between) music, will have to complete a form called ‘Form 696’, which is a document all promoters that will play such music will have to fill in. This is apparently due to the fact that many shootings and stabbings that have occurred in the capital have happened in and around club nights that people would like to call ‘urban’. There has been outrage from unlikely people, such as former punk rocker and current CEO of the UK music industry representative, Fergal Sharkey, who has complained to the Equality and Human Rights Commission claiming that the Police seem to be focusing on music enjoyed by Black and Asian teenagers.

In a letter he wrote to Sir Ian Blair recently he stated, ”In explicitly singling out performances and musical styles favoured by the Black community: Garage and R&B, MC’s and DJ’s, we believe the use of the risk assessment Form 696, is disproportionate, unacceptable and damaging to live music in the UK.”

This issue isn’t new to the urban music scene, back in 2006 Music Journalist and Ctrl+ Alt+ Shift editor, Chantelle Fiddy had to deal with something similar, where her popular Grime club night ‘Straight Outta Bethnal’ was shut down at it’s resident nightclub 333, due to a shooting that happened elsewhere in East London at the same time people were enjoying a night full of MC based music). What must the urban club night do to save itself? I asked Pete Todd, the promoter behind London’s 100% Grime night, Dirty Canvas.

”When we first started our nights it was virtually impossible to put on a Grime night in London as clubs were too scared, we had to use Art galleries such as the Whitechapel and the ICA to put on the acts we wanted and even then we felt we were only one incident away from being shut down. Through our successful and trouble free nights we are now in a position to hold nights in most clubs, our most recent JME concert at Astoria felt like a big break through, as it was the first time an unsigned independent Grime act had headlined a concert there. Until recently it had felt like it was becoming easier to put on urban nights, but this form 696 seems to be another step back to shutting them down again. I think many artists will see this as an attempt by the government to close down their music scenes. The government has spent a lot of money on community music schemes in deprived urban areas, yet it is placing a hugely restrictive barrier from these musicians progressing and being heard and in the current music climate of downloads, live performances are hugely important both financially and for artists development.”

If you are partial liking a bit of Bashment or even some Grime every now and, then may I suggest you join the rest of people, in signing the petition to keep the ‘urban’ club night alive.

Sign up here: http://petitions.number10.gov.uk/Scrapthe696

Words: Joseph ‘JP’ Patterson

A version of this appeared in The Voice Newspaper

Cirque du Soleil’s OVO goes baile funk

Yes they did it !

/Rupture introduce the Cumbia game to XLR8R TV